LNH: Dashing Tales #5
Andrew Perron
pwerdna at gmail.com
Tue Sep 8 18:59:59 PDT 2015
On 9/5/2015 7:43 PM, Ben Rawluk wrote:
<snip>
> She hasn't made it off the futon in the middle of the room for twelve hours
> now. That's probably going to be a problem. The toilet's running, too -- it's
> been running, inexplicably, for nearly an hour. She should go look at it, but
> she doesn't want to get out of bed. Occultism Kid said this might be a
> problem. That prolonged exposure to Hell dimensions can make you a little
> funny in the head.
Makes sense - especially that it *really* takes effect once you're not pushing
yourself anymore and have time to rest.
> She's also got a voicemail, which means it's either Victor King or her
> mother. Her mother doesn't call, because they're not talking to each other.
> Victor King wants to know where she's been, if she has initial notes on the
> story, he wants details on LNHQ. "Is anyone sleeping with space gorilla?"
I don't *think* we have a space gorilla at the moment, although that's not a bad
idea...
> He
> says something about Bogus, how he can't find the guy, they've got no one
> covering the occult beat right now--
>
> (She could do it. She should call back and say she'll do it. She was in Hell,
> after all, even if she didn't get the interview. And she could write
> something about the predatory advances of trenchcoaters, as well.)
That's not a bad idea either - but only if she learns better self-care. Tackle
too many hell dimensions without it and you'll end up... well, like John
Constantine.
> "Emma." There's a soft creak as Marco (presumably) leans back against the
> door. "I'm not apologizing for rescuing you from Hell. You know that's
> crazy.." He sighs, long and loud. "Occultism Kid says this might be -- Hell
> is depressing."
Emma, you're stuck in a literalized metaphor!
> He huffs, and then says, "Emma, don't make me burn the door right off the
> hinges and drag you out of there. I've been practicing. I'm working on a
> ghazal; Linguist Lass gave the ability to read and write in Farsi for a
> couple hours. She says my imagery seems more intentionally mishandled than
> unintentionally--"
Building confidence through superheroing, FUCK YEAH!
> She leans away from the door and picks up the postcard. It's from Bernie, a
> swamp monster she interviewed last spring. They keep in touch sometimes. His
> scrawl is barely legible, she only catches a few words -- goat and spring and
> thanks -- but she appreciates it, even with the muddy smears. It smells like
> Bernie. There's something very grounding about that, his bog stink, she grips
> the postcard and closes her eyes. Did he end up sporing? Did he meet a nice
> volunteer from the Sierra Club? Maybe if all of this ends up a failure, she
> can go to Florida. She sighs. "Occultism Kid was right, Marco. I need a few
> days. I'm okay. I just need to get this out of my system."
Oh my god such sweet human realness, nnnnnh <3
> Emma kicks at the mail on the floor and then crosses the apartment to hang
> the postcard from Bernie up on the fridge with alphabet magnets. She has to
> use four of them -- S, W, A, M -- because the magnets aren't strong, and it
> starts to slide down.
Dial SWAM for Super Worrying Artificial Melancholy!
> It's raining blood. Emma Dash stands on the rooftop of the Net.ropolis
> Netizen with a transparent umbrella up over her head. It's raining blood, and
> a vast yellow clock hangs in the sky, counting down the hours before the
> end..
Every single reference in this series is unexpected yet perfectly placed.
> "Is this guy bothering you?" They both turn. A bright yellow doorframe and
> door are standing open on the rooftop, next to the real door leading down
> into the building. Standing in the open doorway is a man in a bright purple
> and yellow costume. The costume is thick and creased, with a purple cowl
> rimmed with gold, and a fussy purple cape dragging on the ground. The cape is
> clasped with a giant red ruby. The guy thumbs in the direction of Bogus and
> Emma knits her eyebrows together.
Ooooo.
> "Figment Lad."
>
> "But he's a joke, isn't he? Even the trading card says--" She closes her
> mouth, then opens it again. The Figment Lad trading card is just the golden
> LNH border around an empty space. It was considered a collector's item.
> People argue about it on the internet, according to Marco. Something's very
> off about everything right now. "You don't exist."
Oooooooo! :D :D :D :D :D
> "I mean, it depends which Figment Lad you're talking about. I'm the Silver
> Age Figment Lad. The Golden Age Figment Lad doesn't exist. Or maybe he does?
> And then there was the Figment Lad who worked with the Net.Trenchcoat
> Brigade. Actually, maybe he didn't either." The guy, Figment Lad, is counting
> off on his fingers. "It's all very confusing, I'm sorry. We tend to exist in
> only the most retrospective ways?" He puffs up his cheeks and releases a
> breath. A wind starts to kick up around them. He looks up. From the way his
> cowl bunches, he must be frowning back at her. He doesn't look at Bogus.
> "Actually, if I'm here, you're probably dreaming all of this, you know. I
> don't exist." He must catch something in her face, because he follows that up
> with, "But don't worry! Not existing is very liberating! The LNH don't invite
> you to meeting if they think you're made up, and the NTB don't have meetings
> anyway, when I'm that Figment Lad."
THIS IS SUCH GOOD AND FUNNY AND THOUGHTFUL AND LNH-Y DIALOGUE AND I HAVE TO
QUOTE ALL OF IT.
> "Well, now I want to dream about you falling down a well." She glances back
> at Figment Lad. "Can you do that? Can you use your -- what? Dream-powers?"
>
> "Sorry. Ironic punishments are the other guy. I'm not him today. But this is
> your head, after all."
>
> Emma turns back toward Bogus, smiling.
>
> He starts to scream.
>:D
> Especially in Hovel Homes, where the Legion don't tend to visit too often.
Actually, this point has come up a couple of times and it confuses me. Classism
is one thing, but I don't think that the "heroic weirdo" segment of the roster
is going to be dissuaded by that - indeed, they'd probably take it as a
challenge. And that's not counting the Frank Miller-esque ones...
> Two strange men are wrestling on the ground. Net.heroes. She feels like
> she's going to need to sit Marco and Sonnet Queen down and explain that they
> should absolutely never pull this kind of crap.
Bwahaha. <3
> "Tomorrow I'm probably going to write about this. And then you'll be hated
> and feared and I will still have a goddamn hole in my apartment." She's
> breathing heavily. A tiny part of her wants to say that she could be so much
> better at this than them. "I have enough problems without you." She's
> shaking. Intrepid reporters aren't supposed to shake -- the demon didn't make
> her quiver. But this isn't fear, this anger. She's almost vibrating with
> rage. "Goddamn European royals, coming in and smashing up the place. The city
> isn't your playground." She shoves him, the villain, right in the middle of
> his chest. He doesn't budge, but he does manage to look genuinely surprised
> at the contact. "Go beat each other up somewhere else."
YES GOOD SPEECH. <3 <3 <3
> And then she's alone. She's alone with her smashed apartment, debris all over
> the futon, still creeped out by that dream and her apartment and there's a
> gaping wound in the building and she doesn't know what to do. She reaches out
> for her phone. She should probably call 911 or something, not that the police
> are particularly concerned with Hovel Homes, or people who look like her.
> Instead, she dials and presses the phone to her ear and waits while it rings.
> After twenty seconds of buzzing on the line, someone says: "Hello?"
>
> "Hey," Emma says. "It's me. I might want to rethink things. I'm coming to
> LNHQ."
ARGLEFLOGGY THE BEST.
> I've always had a weird thing about Figment Lad, who's never really appeared
> to my knowledge. His appearance, nature, personality -- everything, really --
> are obviously flexible as hell, but I couldn't resist.
Yes! It's a nice bringing-back-and-dressing-up. (And I checked - his only actual
not-a-joke appearance was in Cry.Sig (which in turn was probably a mistake by
Drizzt), where he had no lines and no description *anyway*.)
Andrew "NO .SIG MAN" "Juan" Perron, tons of good stuff.
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