REVIEW: End of Month Reviews #82 - October 2010 [spoilers]
Saxon Brenton
saxonbrenton at hotmail.com
Tue Nov 30 17:06:45 PST 2010
[REVIEW] End of Month Reviews #82 - October 2010 [spoilers]
Reviewed This Issue:
Academy of Super-Heroes #109 [ASH]
Godling #17 [MISC]
Just Imagine Saxon Brenton vs. Andrew Perron in the Return of the
RACCies! #9 {high concept 13}
Also posted:
Coherent Super Stories #24 [ASH] {high concept 14}
SW10: September 2010 #1: The Sinking parts 1 and 2 [SW10] {high concept 14}
SW10: October 2010 #1: The Sunset Door
Team Xero #002 [MISC]
High Concept Challenge #14 was themed 'surprisingly awesome animal hero'.
Spoilers below:
=====
Academy of Super-Heroes #109
'TGIF' [The Office Part 3]
An Academy of Super-Heroes [ASH] series
by Dave Van Domelen
'The Office' arc culminates with several pieces of misdirection: Sal
Napier was disappeared because of irregularities in the way he accumulated
his old El Cabellero Verde identity/nickname rather than any problems with
the paperwork in becoming Centurion, and the Office deals with the problem
via a challenge for the rights to the name rather than more paperwork.
Unexpected, but perfectly logical in hindsight, as well as amusing and
adding a welcome piece of superhero action after several issues where the
only action sequences have been in the subplots.
And there's one more minor piece of misdirection. Can you identify
it? Yes, very good. For all the talk of the Academy team being on a
recon mission with possible diplomatic potential, once the team actually
meet with a representative of the Multiversal Office who is intelligent
and self-aware (or can at least fake it in a meaningful manner) the story
doesn't follow up on this opportunity. Instead it gets sidetracked by
the rescue of Sal. Now, as I've already said that ending works well
because it adds an action sequence that makes a change in the dramatic
tension of the story. Nevertheless, the phrasing in the final debriefing
scene ("the immediate security matter does seem to be resolved to the
satisfaction of our relevant government agencies") is somewhat ambiguous.
For pacing reasons it's appropriate enough that we shouldn't see such
discussions, however from the evidence presented it's also possible that
immediately after the Name Fight the Academy team found themselves
teleported back to the foyer and never got to see the Human Resource
again. Unlikely of course; if that had happened Solar Max would probably
be passing on the frustration of those same agencies. On the other hand,
Pergryn still expresses interest in the origins of the Human Resource.
Should we infer that the Human Resource has authorisation to clarify
important practical security matters such as exactly what constitutes
authorisation for someone to pass into the Office's various levels, but
doesn't have sufficient clearance to answer metaphysical question like
the exact origin of the Office, or why it's portals seem to be
simultaneously reactivating across the Earth now specifically.
On other matters: In reviewing issue 107 I expressed an interest
in how the Multiversal Office would be depicted in the ASH setting as
compared to its previous appearances in other imprints. So how does it
stack up? Pretty much as expected, along lines I summarised at the time.
The ASH setting is basically a science fiction setting with superhero
trappings. So naturally enough the Office was a potentially hostile
environment without automatically being an innate and consciously hostile
environment. By which I mean, the Academy team were able to apply the
type of reasoning abilities that are stereotypical of SF stories to work
out the rules, and as long as they followed those rules they were safe.
Compare this with something like the faux-Vertigo Net.Trenchcoat Brigade
imprint, which could be thought to have an implied horror element to it,
in which case the Office might have been motivated by conscious malice
and actively out to get them.
Looking at the above summary, it might be thought that the depiction
of the Office is a little bland. Well, maybe. Frankly, if you want
non-stop superhero action then _Academy of Super-Heroes_ is probably not
your cup of tea anyway. However in this case the dramatic tension of the
story came from trying to carefully work out an alien and potentially
dangerous environment before the characters' own ignorance caused them to
make a fatal mistake - arguably the one point of fundamental similarity
that a hypothetical SF story might have with a hypothetical horror story.
This wasn't an adrenaline pumping story, instead it was one of rising
dread, which was especially well realised when Sal was disappeared at the
end on issue 108, and then the Academy team decided to bug out and more
thoroughly vet their own paperwork in 109. The notion of Lightfoot
perhaps being aged several decades so that his biological age matched his
chronological birth date was an amusing throwaway extrapolation of that.
Godling #17
'Trapped!'
A Miscellaneous [Misc] series
by Jochem Vandersteen
Hurm. I *was* going to start this commentary with the line, 'Well,
that was unexpected.' However, I'm pretty sure that I've done that
before - and indeed a quick check through previous issues of the _End of
Month Reviews_ indicates that my recap of issue 14 did just that when it
discussed the murder of Marcus Walker by Amanda Reece. And I'm sure I've
made similar comments prior to that as well. This raises the bemusing
prospect that _Godling_ may be becoming predictable in being unpredictable.
Anyway, the issue starts off with a punchy fight scene against Speed
Metal (who was given powers by Master Destiny last issue), and then goes
for the unexpected plot twist. A twist produced by such a simple change
in plot direction, too.
In issue 15 Godling made what looked like a Faustian bargain with
the crime boss Tony Gold in an effort to bring down Master Destiny. What
I was expecting - what I would normally expect from the story structure
like that - is that Gold would indeed be of some help, and then afterwards
his continued presence would be an ongoing complication in Godling's crime
fighting activities. You know, to milk the drama for all it's worth.
This issue Gold is instead killed by Death Dog and his associates,
and Gold's identity used to lure Godling into a trap. In other words,
Gold is given the type of story function normally reserved for supporting
cast members like the romantic interest or the kid sidekick. Like I said,
a simple derailing of plot conventions. I'm beginning to wonder if
Jochem does this deliberately, or if he has a natural tendency to want to
keep the overall size of the supporting cast low.
Just Imagine Saxon Brenton vs. Andrew Perron in the Return of the RACCies! #9
'All You Need To Understand Is..'
A Legion of Net.Heroes [LNH] and RACCies cascade {high concept 13}
by Andrew Perron
This story was written to take advantage of the theme for High
Concept Challenge 13, 'a legacy reclaimed'. It's a pretty obvious
candidate for tying into that HCC, since the cascade so far has been
making heavy use of multiple versions of Manga Man and the generational
debt owed by the Power Manga to at least one version of the previous
Manga Men. In this episode one of the subteams confronts Manga Man Gold
and learns his origin: he is the (currently) chronologically first but
narratively not the original Golden Age Manga Man. (Clever use of a pun
as foreshadowing there, by the way.)
I enjoyed this story on a number of levels. There the notion of
creating an archetypal culture based entity by merging a man with
several iconic spirits, as well as the lyricism with which Manga Man Gold
related his story, interspersed with bits of self-depreciation (needing a
spreadsheet to keep track of the complications) or outright silliness
(Blasferatu's power to Hide In Shadows While Wearing Loud Clothing).
And, okay, yes, all the throwaway details of 'LNH fanwank'.
However, while I was soaking in the ambience a critical piece of my
mind was going: 'This won't stick. It's too complicated. I don't care
if it's thematically appropriate that Manga Man be at the centre of a web
of complicated plots, misdirection and confusion. Complications should
be what he DOES not what he IS. Even if you do a summarised write up of
this for a character roster or a wiki page, it'll probably get ignored.'
Which is why it was rather relieved when, after the full origin was
unwound, it turned out not to be the origin of the version of Manga Man
who's been around since the start of the Legion in 1992, but that of a
new character who's a continuity insert. This is paradoxically because
his insertion tidies the situation up, no matter how complicated the
process is itself.
What the hell am I talking about? Well, it's like this...
The idea is one culled from the comics blogosphere, and posits that
many of the most successful and iconic comic book characters tend to be
based on simple concepts, which may only be expanded/altered so far
before they wander too far from their iconic status quo. Their
intellectual property owners may periodically experiment with the
characters' concepts - either in an attempt to breathe new life into
them or simple to go through the cyclic motions of the 'illusion of
change'. However an alteration that goes too far from what the average
fan considers the conceptual core of the character will not be treated
as 'character growth' or 'world building' but instead probably be
jettisoned when the next period of back-to-basics rebooting occurs in a
half decade or so's time. One example would will be when the mainstream
Marvel Universe version of Iron Man was replaced in the 1990s by the hip
young Teen Tony version of the character from an alternate timeline.
And then later retconned out.
My point here is that while both the events that removed the original
Iron Man and then returned him were complicated (involving mind control,
alternate timeline duplicates, and then artificial pocket dimensions being
used to reboot parts of history by juvenile reality manipulators) those
complications were ultimately a zero sum draw. They performed demented
gymnastics with continuity so it ended up back where they started. The
status quo was restored and if the reader doesn't want to worry about the
effects of that era (or for a newer audience, doesn't know about it in the
first place) then they can ignore it because the end result (if not the
process of getting to that result) had been abrogated in a self nullifying
continuity loop.
Andrew's Golden Age Manga Man origin feels something like that to me.
It's a wonderfully baroque contrivance that doesn't actually affect the
first Manga Man, and indeed via time paradox actually derives from the
first Manga Man despite the fact that for the internal chronology of the
Looniverse the Golden Age Manga Man precedes him. It's a story telling
tool that can be used to explain away any remaining unaccounted for Manga
Men that have appeared in this and previous _Just Imagine_ cascades. And
maybe any in the future too, since it suddenly occurs to me that what I've
just described fits the story telling function of things like Dr Dooms Doombots.
----------
Saxon Brenton University of Technology, city library, Sydney Australia
saxon.brenton at uts.edu.au
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